Malebranche remarks acutely that the crux of a philosopher's doctrine is to be found in those passages where he defends an unpopular thesis; his defense of accepted theses has no informational value.--Catherine Wilson.
One of the hardest skills in professional philosophy is to say something that is original, plausible, and interesting about a well-studied, canonical author. Since ‘the hard problem’ has already been taken, I’ll call this ‘the very hard problem.’ I can’t mention all the techniques that enter into the skill, but in what follows I pretend that one can acquire good judgment and other philosophical competences independent from tackling the very hard problem.[1] A common way to handle this very hard problem is to pretend that lots of things have not been said yet: you simply ignore works older than twenty years and you ignore alternative scholarly languages or intellectual idiolects than the one that one feels at home in. Let’s call this ‘the pretense-solution.’ Even when executed competently, the pretense solution fails on originality; it also tends to fail on being interesting, for those already in the know. That it is common suggests it may work well on the job market. Oddly enough, when a blogger engages in the pretense-solution then she is treated as ‘unphilosophical.’ (No theodicy today!)
Another strategy is what I call ‘opportunistic anachronism.’ This approach takes a modern philosophical technology (notation, formal tool, set of distinctions, etc.) or a modern question and boldly applies it to the very hard problem. While I have lots of peers – so-called contextual historians of philosophy – who frown on opportunistic anachronism (they’ll even say things like ‘that’s not really doing history’ [thus generating confusion with the pretense-solution]), it can generate genuinely interesting readings of the past. While opportunistic anachronism always risks flirting with talking about an abstracted text rather than the really existing text [I have in mind the convention to distinguish between, say, Hume and Hume*], it is quite possible that such opportunistic anachronism reveals the inner or enduring meaning of the studied text or applies it in fashions that are fruitful for ongoing research. After all, sometimes an extra distinction can make all the difference. Having said that, opportunistic anachronism tends to fail at plausibility. With ‘plausibility’ I do not mean one is obliged to aim to track the intentions of the author – although these may well be interesting for lots of purposes (including, it seems, ones beloved by contextual historians of philosophy, who often seem to think that they are the only really real historians) --, but as one slides again, say, from discussing Hume to Hume* one increases the risk to be revealing only something about one’s own interests rather than the interest of the text one is studying. One’s interests can be, well, very interesting, but one reason we continue to read and engage with well-studied texts is to learn to grapple with interests not one’s own.[2] That is to say, I have in mind a sense of ‘plausibility’ that entails something distinct of one’s own perspective/lights.
The previous paragraph hints at some of my reasons why I am no friend of the so-called principle of charity (see here; see also Melamed), that is the practice, to try to read an author in such a light by attributing to her (some combination of) a maximal coherence and truth-aptness. While such readings may be deployed in heuristic fashion, they have, in practice, a tendency to reveal more about the interpreter’s commitments than the author studied (recall my treatment of some wisdom by Paul Lodge). (When I am polemical I say things like ‘the principle of charity flattens the text.’) Thus, the principle of charity tends to undermine (what I have been calling) plausibility and interestingness. It survives in conjunction with the pretense-solution presumably because lots of people prefer a past that seems familiar.
Even so, lots of competent scholarship embraces a weaker version of the principle of charity, by demanding as a regulative ideal in one’s interpretations that authors are treated as being coherent. (Recall this polemical exchange.) I have a lot of sympathy for this coherence ideal, because it forces readers to pay extra attention to details and it is a check on the biases prompted by expert overconfidence. This approach tends to fail as a solution to the very hard problem because almost certainly there is a pre-existing interpretation that has taken this route (so it is unoriginal and also uninteresting).
As I hinted in the previous paragraph, the coherence ideal, may be useful if it forces one to pay discordant details that prevent coherence. In fact, a lot of the most skillful historical scholarship goes into showing that what seems like a lack of consistency in a text from the past is really not so. Often one does this by introducing new terminology or extra set of distinctions (etc.) I stress this, first, to remind the reader that the purported solutions to the very hard problem tend to be blended in practice. And, second, that while sometimes executing this coherence ideal is revealing, often it fails on plausibility and, more importantly, good judgment. It’s hard to prove this (latter) charge even if I were to engage with particular detailed interpretations. But one reason to think there is something to the charge is that often the grounds of coherence – that is, the criteria one uses and the stuff one focuses on in order to generate coherence/incoherence – tends to be given by tradition, that is, previous interpretation(s).[3]
Even so, I am not inclined to throw out the coherence ideal, but in order to preserve it as a heuristic to generate what I call ‘discordant readings.’ Discordant readings focus on idiosyncrasies, apparent throw-away remarks, or tropes/metaphors that do not seem to fit the coherent whole, but that may initially seem unrelated to the main thesis/argument of a text. Discordant readings relentlessly try to recast the meaning of a text in light of some such apparent idiosyncrasy. The point of discordant readings is not to uncover a hidden, esoteric meaning to be found between the lines. (Obviously that is not ruled out by discordant readings.) Rather, the point is to become unshackled from pre-existing narratives that have made a text feel familiar.[4] One important feature of discordant readings is that they entail a lot of apparent forced moves in one’s interpretations. For, they tend to violate pre-existing commitments about what the text must be saying and, therefore, they often have the dual task to provide rather detailed error-theories about previous interpretations and to provide alternative interpretations of familiar passages. So, discordant readings flirt with bad judgment and will always seem implausible at first. If a discordant reading takes on the dual task and passes it, it will increasingly be seen as plausible and eventually good judgment.
Continue reading "How to be an original Historian of Philosophy" »
Recent Comments