RIP: Rob Brouwer 1938-2022

In a few weeks, Neglected Classics of Philosophy 2 (OUP, 2022) will appear. As you can see at books.google, it's dedicated to "Anneke Luger-Veenstra, Jan Stronk, and Rob Brower, my learned high school teachers, who encouraged a love of the classics." Two days ago my high school classmate, Jorine Lamsma, called my attention to an announcement in the newspaper that Rob had died June 1, 2022. The memorial service and funeral are today.

Rob was my high school Latin teacher for four years at Amsterdam's Vossius Gymnasium. My class (1c, 2c, 3c) was known to be 'trouble' and quite a few teachers fought trench warfare with us, as we found ever more creative ways to prank and be disruptive. But not in Rob's classroom. We called him "Mijnheer Brouwer," of course. He was not on first name basis with his charges.

Rob commanded our instant respect not because he was strict (which he was) and unperturbable (which he was), but because he somehow managed to convey that he instantiated the promise of bildung (without having to say so); he wasn't aiming to reach some learning target decomposed in weekly grammar, vocabulary, and syntax acquired. But rather he always made clear that whatever task of memorization and repetition we were assigned was in the service of our introduction to the classics and, without veneration, their wider cultural significance. As another classmate, Max Rosenberg, put it, each class was part of a much broader whole. And as the years passed, I slowly grasped -- hence my use of 'bildung'  --, these classics in turn would be good friends accompanying me in a life-time of imperfect self-cultivation.

Once, I was fourteen or so, a classmate pushed his button, and the unfathomable happened: the boy (no, not me) got sent out of class, with the archaic, 'gaat heen' and Rob, visibly steadying himself, pointing a finger at the door. For years we could get a good laugh trying to mimic that 'gaat heen,' but we had to acknowledge simultaneously that we were in awe of him. 

Not just because of his formal language and dress, Rob seemed like a character from a different age -- his classroom had the surprisingly bittersweet smell of his pipe --, he was the subject of myths: his son had died tragically (which turned out to be true), he suffered from Leukemia (which turned out to be true), he had studied to be a Jesuit (possible), and he was dating the German teacher, Erika Langbroek (which also turned out to be true). 

I had a very checkered high school career; I should have flunked out at the end of my third and fourth years (ninth and tenth grade). Mevrouw Luger played a big role in bending the rules my way each year. But I always passed my Latin, and to this day, I recognize that I have built a scholarly career on the years Rob put into me. (And I often regretted he was not my Greek teacher.) 

I forget if it was my junior or senior year, but I got wind that Rob was doing a reading group in philosophy with some interested class-mates at his home not far from the school in an apartment on the Beethovenstraat. (At this point he wasn't my teacher anymore, but it was before he moved into a different apartment with Erika also on the Beethovenstraat.) I invited myself along for the wine and the mystique. They were reading Die Kritik der reinen Vernunft (in German). I would like to say it got me excited about philosophy, but I suspect the main effect of the reading group was to make me excessively and irresponsibly fearless in the face of any text. 

Some time after college, I got back in touch with Rob. I suspect in order to brag to him that I had been taking philosophy classes with Dan Dennett (he was underwhelmed) and Martha Nussbaum. Rob, it turned out, was a real fan-boy of Nussbaum who, in graduate school, was one of my supervisors of my qualifying paper on the puppet image in Plato's Laws. Alongside E.B. England's commentary, Rob's wisdom became instrumental in helping me figure out the nuances of Plato's Greek and thought.

But perhaps I had simply bumped into him with Erika at the kleine zaal at Concertgebouw. Even long after he was struck by an increasingly visible Parkinson, he was a transfixed presence in the little balcony. I didn't share his love for nineteenth century Lieder, but we often discovered that we (or, in my case, my mum) had acquired season tickets for the same chamber music series.

We started to see other more frequently during my Summer visits back home while I was in graduate school. I am also unsure of the exact sequence of events that led to our first reading group with Martin Claes, then a Jesuit getting a PhD (now a pastor and a scholar), on Augustine's De Magistro. I  never asked Rob if he identified with Augustine's loss of his son. He never spoke of him to me, but he often expressed pride in his daughter (a lawyer). It was the start of numerous partially overlapping, reading groups with Rob in varying combinations with people from his life -- often people who adored Dante or choir (or both) -- or my own circle of Dutch academics and friends. 

Meanwhile, we started corresponding and as I look through our letters, I see that he never stopped trying to broaden my horizon. His letters reflect his curiosity, even an excessive strain of enthusiasm; he offered a never ending stream of suggested novels or works of scholarship. While in his own work, he had an exacting low tolerance for minute error, in his reading habits he was primarily searching for bold and expansive interpretations. As I advanced in academia he relished keeping me informed of scholarly fashion that had somehow captured the imaginations of the culture and book sections even editorial pages of the Dutch broadsides.

In addition to being a teacher, Rob was a scholar, translator, and poet. His translations of Dante's Divine Comedy, Statius' The Thebaid, Lucan's Bellum Civile, Virgil's Bucolica/The Eclogues combine vast erudition with linguistic and poetic sensitivity. He also translated Epictetus. He would probably be very amused to hear me claim modest credit for triggering his renewed interest into Lucan just as he was completing his stupendous Dante translation. But it's true: while teaching the Treatise in my first seminar at Wesleyan in 2002, I was confused by the way the motto of book 3 of Hume's Treatise had been translated in the then new 'student edition' published by OUP. (The motto is from Lucan.) We started a correspondence about it, and I date to it the start of my interest into Seneca.

When I heard Rob had died, I looked at our correspondence to see when we last had written. I noticed to my horror he had never acknowledged my word that I had dedicated the forthcoming Neglected Classics volume to him. I had not registered this silence at all during the depths of my own illness.

Before I close, I don't want to suggest Rob was an ethereal personality only. He was happy whenever he could talk about Erika or Sabine. And our reading groups were carefully planned around not just his choir practices, but also his cycling holidays.

I also don't mean to suggest he was above name-dropping. Once he asked me slyly if I knew who Henny Vrienten was. They had met swimming their laps in de Zuiderbad. Later Vrienten became involved in the recording of Rob's Dante.

Near the end of De Magistro, Augustine suggests that when we praise a teacher, we're really praising ourselves and this never seems to me more true than in the Academy during the many, lovely ritual practices of acknowledging the roles of supervisors in one's education. Self-praise does not strike me as a sin, but I have to admit that all of these academic practices (fests, collections, memorial conferences, etc.) seem, however sincerely felt and expressed, a bit tainted by the multiplicity of self-advancing roles they play in our prestige hierarchies and zero-sum political economy. (Perhaps this also accounts for the sincerity.)

We encounter our high school teachers through their words, their curriculum, their classroom, and features of their personality as well as the school yards myths about them. The older, and more experienced I get in the classroom, the more it seems to me they -- I mean all true teachers -- use a feature of their personality, perhaps made excessively visible to the student, to find a way to connect with the longings and desires, perhaps vanity even (as Adam Smith claims), of their students, and turn this connection, however tenuous, into the engines of shared enquiry. This also means that not every teacher is the right fit for each student.

The reason why when we praise a teacher, we're really praising ourselves according to the closing lines of De Magistro is that teachers are kind of puppets or actors speaking thoughts of others and that it's the student's reason or intuition that is doing the real work of understanding even if the words of the official teacher trigger or guide such understanding. The Platonic idea with which De Magistro closes, that nobody teaches another anything, has, thus, generated learned philosophical commentary that betrays non-trivial professional anxiety.

Augustine does make an exception to this quite general claim at the start of De Magistro, which I doubt is retracted during the dialogue. He suggests that when we ask questions we're really teaching something about our needs or our plans. The latter includes, of course, the path of inquiry, as Augustine explicitly notes. Rob was magisterial in asking questions that directed our gaze to the inner, guiding light that we need on life's path.

 

 

Comments

[Eric]

Brilliant

[Zena]

I love it! thanks for loving your teachers Eric.

[Odilon Marcenaro]

This is lovely to read. I have very fond memories of "Mijnheer Brouwer" - I was one of those reprobates who was an unrequited "alpha" and wanted to do Latin and Greek all the way. I wasn't the most conscientious of students, but Brouwer never gave up on me - he had a wonderful knack of making you feel like you had personally let him down if you delivered sub par performance, but on the other hand he would very vocally applaud an elegant bit of translation.
In year 5 I had a nasty road accident that very nearly killed me, and required a lengthy period of hospitalisation and convalidation right before the second round of "schoolonderzoeken". Brouwer sent me a letter saying that he'd completely understand if I didn't want to continue with Greek, but if I did, well :"Misschien is ook dit te boven te komen!" ("Maybe even this can be overcome"). He then coached me intensively, and was the first to congratulate me when I managed to pass the final exam and actually did very well on the translation exercise.
A fine human and an outstanding teacher, and I regret deeply that I didn't make my appreciation clearer.