On Books and Strangers in Libraries and the Tube

Yesterday, in the tube, I was reading Hermann Hesse's The Glass Bead Game (Das Glasperlenspiel). It's a long book, and despite a teenage infatuation with Narziß und Goldmund, I have been ambivalent about reading any more Hesse. (I intensely disliked Siddhartha, which I read in college, and Der Steppenwolf, which I could not finish.) Despite my misgivings about Hesse, I had bought it in paperback last year because of a suggestive footnote in Hugo Drochon's  recent (and excellent), Nietzsche's Great Politics (see here).

I enjoy letting me reading habits be shaped by the quiet recommendations of fellow scholars. While I was contemplating the silent web of allusions that connect the formation of my library, I realized that I had stopped reading and was starting at the angelic infant quietly sitting across from me. Or to be precise, I was following his (her?) gaze as s/he explored the confined surroundings of our subway car. I wondered if joint attention really was involuntary.

My silent reveries were interrupted by a pleasant voice diagonally across from me, who informed me that I was reading an excellent book. I looked at her, and said, thank you for that encouragement, I had been uncertain I would finish it. She said resolutely, it gets better the more you read of it. I looked down at my copy, I was on page 154, and wondered at what page I would surrender myself over to the book's life-world. When I looked back at the lady, she had reverted back to the resolute norm not to make eye-contact with anybody in the tube. Before I was aware of what was happening, the angelic infant was dragged out of the tube at Camden Town. 

I had noticed before that the book I would read could attract some comment from other, otherwise resolutely no eye-contact passengers. And once, while exiting the tube at Westminster, I had been given a book I had inquired about over my protests. My benefactor cut my off, as the doors shut, with a compelling I work for Penguin, I will treat this as a marketing expense.

While waiting for the elevator that would take me from the underground level to the exit, I noticed a guy reading Le Guin's Left Hand of Darkness. I had seen him on my ride into town earlier in the day; we had been compelled to leave our train, when, while "being held to regulate traffic" at Chalk Farm (I love the name of that station), it was changed from the Morden via Bank to the Morden via Charring Cross line.

I felt a strange excitement to see one of my favorite books being read (recall)  on the London Underground (twice in a day no less). I suddenly understood the pleasant voice's desire to share. So, I mentioned to dude, that's a great book, I hope you are enjoying it. He responded without hesitation, I dislike science fiction, but it was my reading group's choice and so far I am enjoying it. For no apparent reason, while we were entering the elevator, I decided to volunteer, I love teaching her in my utopia/dystopia classes. I could see he was eyeing the book I was holding, Where do you teach, he said with surprise, while I was as subtly as possible trying to make it impossible for him to catch the title of the book. I did not want to talk about Hesse.

I am writing this a day later in the British Library just as a patron sits down next to me with a big pile of books including Stormtrooper Families by Wackerfuss. My friend Jeff Bell coined the term heterobibliophilia, to capture the particular form of scholarly voyeurism when one peek at the books and manuscripts on tables temporarily vacated by other scholars taking a break in the library (recall also this post). I am suddenly grateful that the no-eye-contact-rule norm is even stronger in the British Library than in the tube.* 

As the elevator went up, and we were making small-talk, his eye caught Hesse, and he said with real warmth, as I knew he would, I loved Narcissus and Goldmund. I admitted that my once favorable views on it had changed for the worse a long time ago. At the street corner we were about to part; he firmly shook my hand and said, I am Ned, it was a pleasure. I took it, and said, same here Ned; I am sure we'll bump into each other again. And then, remembering he had mentioned his name, I said, while he was letting go of my hand, I am Eric.

I had not expected Ned's handshake. I looked at my book vaguely guilty for badmouthing Hesse to strangers. As I crossed the street I sensed betrayal to the anxieties and confusions of my teenage self. And yet...through Hesse I had discovered Nietzsche, and through Nietzsche a philosophical journey had opened itself up to me. To mock Hesse meant to mock the chain of causes that got me here. So much for living by amor fati! 

The rain was pouring down Heath strait; I rushed home.

*I believe that an app which connects visiting scholars with shared or mutually fascinating research interests in the British library for coffee or lunch breaks may well be popular. 

Comments

[Anneke luger]

Interesting and recognisable!a

[David Duffy]

Well *I* enjoyed it - and it does make an appearance in Le Guin's City of Illusions - the Game itself that is.

[Eric Schliesser]

That's an excellent reminder, David! Thank you.:)